A gilt-bronze mantel clock
Paris, circa 1855. Movement by Japy Frères, case in the form of a burning globe. Running, and two minutes fast.
The Ferrand estate was assembled over sixty-one years by a woman who never sold anything and never explained why she bought it. It is offered whole, over three consecutive days, and it will not be assembled again.
Request the catalogueTwelve of nine hundred and forty. The printed catalogue runs to four hundred pages and weighs rather more than it should.
Paris, circa 1855. Movement by Japy Frères, case in the form of a burning globe. Running, and two minutes fast.
Offered as one lot at the family's instruction. Sizes from 40cm to 2.4m. Four are cracked and were never replaced.
Derbyshire, late 18th century, on ormolu bases. Purchased at Christie's in 1974 and not moved since.
Carved giltwood, Louis XVI style, upholstered in sapphire silk velvet. The table seats fourteen.
Painted canvas, allegorical, removed intact from the first-floor landing in 2024 under supervision.
Assorted, brass and silver-plate, some in original tissue. Sold as found, in seventeen crates.
Marked Genoa, 1968. The consignors have declined to open it and it is offered exactly as it stands.
Twenty-four lights, approximately 4,000 drops. Requires two people and a week to rehang.
Sienna, statuary and portoro, laid 1902 in a compass rose. Lifted and numbered; a plan accompanies.
1963 to 2024, one per year, complete. Almost every page is blank.
Giltwood and blue velvet, the tester with a painted interior sky. Dismantled; all fixings present.
Offered last, by the family's request, and only after the house itself has been cleared.
Three consecutive days. Lots are offered in numerical order and the room does not thin out.
Lots 1 — 320. Clocks, bronzes, mirrors and lighting.
10:00 — 18:00Lots 321 — 660. Furniture, textiles, and the architectural removals.
10:00 — 19:00Lots 661 — 940. Contents of the upper floors, the cellars, and the house itself.
10:00 — until finished"She bought a thing whenever a room felt unfinished, and no room was ever finished."The executor, in the catalogue foreword